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Monkey selfie and authorship in aopyright law: The Nigerian and South African perspectives

dc.contributor.authorNcube, Caroline B
dc.contributor.authorOriakhogba, Desmond O
dc.date.accessioned2019-05-28T07:55:35Z
dc.date.available2019-05-28T07:55:35Z
dc.date.issued2018
dc.description.abstractA photograph taken by a monkey is in the centre of a copyright claim in the famous monkey selfie case in the United States of America. Suing as next friend of the monkey, named Naruto, the People for the Ethical Treatment of Animals contended that copyright in the photograph belongs to the monkey as author of the photograph since the monkey created the photograph unaided by any person. On the motion of the defendants, the case was dismissed by the US district court on the ground that the concept of authorship under US Copyright Act cannot be defined to include non-human animals. The dismissal order was confirmed by a three-judge panel of the US Court of Appeal of Ninth Circuit a request for an appeal before a panel of eleven judges of the appellate court was denied. This paper reviews the case in the light of the concept of authorship and ownership, with specific focus on the authorship of photographs, under the Nigerian Copyright Act and South African Copyright Act. In so doing, it examines and relies on Ginsburg's six principles for testing authorship to test the authorship of photographs under the Acts. It also relies on the concepts of subjective rights and legal personality to explain the implication of conferring copyright ownership on non-human animals. It argues that for authorship of and ownership of the copyright in a photograph to be established under the Nigerian Copyright Act and South African Copyright Act, a legal person must have created the photograph. Consequently, for the purposes of argument, the paper proceeds on the assumption that the monkey selfie case originated from Nigeria or South Africa. After analysing relevant statutory provisions and case law, the paper finds that the Nigerian Copyright Act and the South African Copyright Act do not envisage the conferral of authorship in particular, and copyright protection in general, to a non-human animal. It then concludes that the courts in both countries would not reach a different conclusion from the one made by the US courts.en_US
dc.identifier.citationNcube, C.B. & Oriakhogba, D.O. 2018. Monkey Selfie and Authorship in Copyright Law: The Nigerian and South African Perspectives. Potchefstroomse elektroniese regsblad = Potchefstroom electronic law journal, 2018(21): 1-35. [http://dx.doi.org/10.17159/1727-3781/2018/v21i0a4979]en_US
dc.identifier.issn1727-3781
dc.identifier.urihttp://hdl.handle.net/10394/32448
dc.identifier.urihttp://dx.doi.org/10.17159/1727-3781/2018/v21i0a4797
dc.language.isoenen_US
dc.publisherPER/PELJen_US
dc.subjectMonkey selfieen_US
dc.subjectauthorshipen_US
dc.subjectcopyrighten_US
dc.subjectphotographsen_US
dc.subjectNigeriaen_US
dc.subjectSouth Africaen_US
dc.titleMonkey selfie and authorship in aopyright law: The Nigerian and South African perspectivesen_US
dc.typeArticleen_US

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