• Login
    View Item 
    •   NWU-IR Home
    • Electronic Theses and Dissertations (ETDs)
    • Humanities
    • View Item
    •   NWU-IR Home
    • Electronic Theses and Dissertations (ETDs)
    • Humanities
    • View Item
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    Die uitbeelding van hegemonie, identiteit en herinneringe deur die konseptuele kunstenaars Berni Searle en Jan van der Merwe

    Thumbnail
    View/Open
    Du_Toit_VF.pdf (3.606Mb)
    Date
    2012
    Author
    Du Toit, Vianca Franciska
    Metadata
    Show full item record
    Abstract
    This study focuses on the way in which the conceptual artists Berni Searle and Jan van der Merwe portray their respective memories of the influence of hegemony on their identity formation. Two conceptual installations of each artist, namely Looking back (1999) and Not quite white (2000) of Searle and Wag (2000) and Ontwortel (2009) of Van der Merwe, are interpreted comparatively according to the portrayal of hegemony, identity (including the artists‟ different sexual and race identities) and their memories of the historic and cultural effects of domination. The reading and interpretation of the installations are guided by the key concepts hegemony, identity and memory and are grounded theoretically from a critical post colonial perspective. Searle and Van der Merwe‟s memories of the influence of power relations and ideology on their conception of art and identity formation are addressed by contextualizing the artists within the South African context. Van der Merwe, as a white Afrikaans speaking man, initially formed collectively part of the Western patriarchate identity norm because of his historic background. His identity is in contrast with Searle‟s brown and female identity which is traditionally viewed and portrayed as different and inferior. Van der Merwe‟s memorial art is therefore mainly that of the unjustified benefiting of the white and male agents of power in contrast with Searle‟s memorial art of colonial and patriarchate domination.
    URI
    http://hdl.handle.net/10394/8686
    Collections
    • Humanities [2644]

    Copyright © North-West University
    Contact Us | Send Feedback
    Theme by 
    Atmire NV
     

     

    Browse

    All of NWU-IR Communities & CollectionsBy Issue DateAuthorsTitlesSubjectsAdvisor/SupervisorThesis TypeThis CollectionBy Issue DateAuthorsTitlesSubjectsAdvisor/SupervisorThesis Type

    My Account

    LoginRegister

    Copyright © North-West University
    Contact Us | Send Feedback
    Theme by 
    Atmire NV