De Lange, A.M.Gous, Joané Facqueline2013-09-032013-09-032012http://hdl.handle.net/10394/9028Thesis (MA (English))--North-West University, Potchefstroom Campus, 2013.In this dissertation I argue that invisible characters, as they appear in Paul Auster’s novels, serve a very specific function within the interpretative framework of a text and that they should be considered to play a functional role, in order to arrive at a more holistic interpretation of the text and a more accurate analysis of said texts. I argue that Auster knowingly includes these characters in his novels as part of his narrative technique, in order for them to serve specific functions and to contribute to the structure of postmodern fiction. I make use of a contextualized close reading of five of Auster’s novels and attempt a hermeneutic interpretation of these novels to arrive at a hermeneutic circle when combining these novels into an integrated whole, individual, work of fiction. Certain parallels can be drawn between Auster’s various novels and these parallels contribute to the various motifs and themes found throughout his work. The importance of space in Auster’s novels is also highlighted with emphasis on liminality which serves as an instigator for transgression to occur between different fictive worlds.enPaul AusterPostmodernismLiminalityIdentityCharacterizationMetafictionInvisibleSilenceFocalizationAuthorReaderTime and memoryWorlds and spaceMysteryGamesChoices and responsibilitiesThe New York TrilogyIn the Country of Last ThingsMoon PalaceThe Book of IllusionsTravels in the ScriptoriumPostmodernismeLiminaliteitIdentiteitKarakteriseringMetafiksieOnsigbaarheidStilteFokalisasieOuteurLeserWêrelde en ruimteTyd en geheueMisterieSpelKeuses en verantwoordelikheidThesis