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dc.contributor.authorMeyer, Susan
dc.date.accessioned2018-05-29T12:49:06Z
dc.date.available2018-05-29T12:49:06Z
dc.date.issued2018
dc.identifier.citationMeyer, S. 2018, ‘Groen postkolonialisme in Etosha (Piet van Rooyen)’. Literator, 39(1): 1-9. [https://doi. org/10.4102/lit.v39i1.1425]en_US
dc.identifier.issn0258-2279
dc.identifier.issn2219-8237 (Online)
dc.identifier.urihttp://hdl.handle.net/10394/26938
dc.identifier.urihttps://doi.org/10.4102/lit.v39i1.1425
dc.description.abstractIn Etosha (2010) the impact and aftereffect of the colonial system on the Etosha Nasional Park in Namibia, and on the people who lived there, is portrayed. This study explores the situations of various characters and groups who formerly resided there, focusing on aspects of their relationship with one another, as well as on the realities of colonial exploitation and the use or destruction of the natural environment. The question raised is how green postcolonialism takes form in this novel as a result of the convergence of conservation oriented and postcolonial perspectives. The study focuses on the ways Etosha challenges the reader to realise the full complexity of the question, ‘Who is actually right, what is justifiable in the battle for survival?’, specifically in our local context; and on how the reader is confronted with the task to find place-specific answers for questions aimed at our situation in Africa. It is found that the situations of various role players and their different viewpoints are depicted in a nuanced and convincing manner, contributing to the realistic portrayal of the complex issue of conservation versus exploitation in the postcolonial context. Etosha is a meaningful novel when evaluated within the context of the development of ecocriticism in South Africa.en_US
dc.language.isootheren_US
dc.publisherAOSISen_US
dc.titleGroen postkolonialisme in Etosha (Piet van Rooyen)en_US
dc.typeArticleen_US
dc.contributor.researchID10200088 - Meyer, Susanna


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