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dc.contributor.authorVan Coller, H.P.
dc.date.accessioned2017-05-15T08:59:24Z
dc.date.available2017-05-15T08:59:24Z
dc.date.issued2016
dc.identifier.citationVan Coller, H.P. 2016. Diskursiewe patrone in Brandwaterkom van Alexander Strachan. Tydskrif vir Letterkunde, 36(1):222-242. [http://dx.doi.org/10.4314/tvl.v53i1.16]
dc.identifier.issn0041-476X
dc.identifier.urihttp://dx.doi.org/10.4314/tvl.v53i1.16
dc.identifier.urihttp://hdl.handle.net/10394/23651
dc.descriptionEnter any additional information or requests for the Library here.
dc.description.abstractThe recently published and prizewinning novel Brandwaterkom is vintage Strachan with an intricate structure, imbedded stories and a whole network of allusions. Typical of postmodernist writing, the relationship between fact and fiction, historiography and the novel is problematized. The primary narrator is a Hermes-figure who constantly reflects upon the narrative in metafictional fashion, questioning and even belittling his own omniscience and omnipotence as narrator. The main story centres on Fanie Vilonel, a traitor during the Boer War, and the motif of treachery is central in the story, discourse and narration.
dc.language.isoother
dc.publisherTydskrif vir Letterkunde Association
dc.subjectAfrikaans novels
dc.subjectAnglo-Boer War
dc.subjectpostmodernist writing
dc.subjecttreachery
dc.titleDiskursiewe patrone in Brandwaterkom van Alexander Strachan
dc.typeArticle
dc.contributor.researchID11718463 - Van Coller, Hendrik Petrus


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