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dc.contributor.authorOlsen, Andrew
dc.date.accessioned2016-05-10T10:35:26Z
dc.date.available2016-05-10T10:35:26Z
dc.date.issued2012
dc.identifier.citationOlsen, A.N. 2012. Mozart's African jacket: Die Zauberflöte and its localisation in The Magic Flute (Impempe Yomlingo). Journal of the musical arts in Africa, 9:67-80. [http://www.tandfonline.com/loi/rmaa20#.VzG4fOSUK9x]en_US
dc.identifier.issn1812-1004
dc.identifier.issn2070-626X (Online)
dc.identifier.urihttp://hdl.handle.net/10394/17161
dc.description.abstractThis article investigates, through a historical-interpretivist and post-apartheid lens, the change in time, space, context and symbolism in a localised or indigenised South African version of Mozart’s Die Zauberflöte, K. 620. It addresses the lacunae between desiderata expressed in the White Paper on Arts, Culture and Heritage in June 1996 and the conceptualisation of the localised opera The Magic Flute (Impempe Yomlingo) through a discussion of the migration of the characters and symbolism.en_US
dc.description.urihttp://dx.doi.org/10.2989/18121004.2012.736150
dc.description.urihttp://www.tandfonline.com/loi/rmaa20#.VzG4fOSUK9x
dc.language.isoenen_US
dc.publisherTaylor & Francisen_US
dc.titleMozart's African jacket: Die Zauberflöte and its localisation in The Magic Flute (Impempe Yomlingo)en_US
dc.typeArticleen_US


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