Browsing by Subject "Gender performativity"
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Homomasculine performativity and the legitimisation of hegemonic Afrikaner ideals in Oliver Hermanus's Skoonheid (2011) and Etienne Kallos's Die Stropers (2019)
(North-West University (South Africa), 2022)Considering the lack of homosexual representation in South African cinema until 1985 (Botha, 2013), films in post-apartheid South Africa have made significant progress concerning this issue. However, despite this progress, ...